Quick Bite – Live From NAMM

With NAMM on in Anaheim this week, and George on location, we figured it was the perfect opportunity to take you live to the floor and get the low down on what’s new and what’s happening.

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The Pro Audio Suite Podcast copyright George Whittam, Andrew Peters, Robert Marshall & Darren Robertson.
Products or companies we discuss are not paid endorsements. They are not sponsored by, nor do we have any professional or affiliate relationship of any kind with any of the companies or products highlighted in the show…. sadly! It’s just stuff we like, think is cool and may be of interest to you our listeners.
“When the going gets weird, the weird turn professional.”

― Hunter S Thompson




Check out this episode! 

this is the pro audio suite podcast
00:03
quick bytes welcome to another quick
00:06
byte pro audio suite this one we’re
00:08
carrying live tune am in Anaheim and our
00:12
man on the spot is George Widom g’day
00:14
George hey guys how you doing hey good
00:17
sounds like you’re having a good time we
00:20
are having a good time it’s it’s a
00:22
technical hurdle just doing something
00:24
it’s what seemingly simple as having a
00:26
phone patch as it were while I’m not
00:29
spilling your champagne have some
00:35
strawberries with that lovely so we’re
00:40
on Souls connect now by an Android we
00:43
are and two connections one previously
00:44
be one from Melbourne you’re sitting in
00:46
the grace designs booth is that correct
00:49
I am in I’m in the grace design suite it
00:52
isn’t I’m on the lower level of their
00:54
suite no it’s will I’m in their booth
00:56
they have a double wide as they do in
00:59
Colorado yeah I got a double wide booth
01:01
and I’m looking at their their mic
01:05
preamps that they that they lovingly
01:07
create and sell in Colorado and also
01:11
right in front of me is the key studio
01:14
monitors that they are view the u.s.
01:16
distributor
01:17
yeah we just riveted in the US yes
01:19
really really high-end dutch powered
01:23
monitors I’m blowing studio monitors
01:26
that look like bookshelf monitors but
01:28
they go flat down to 25 yeah flat down
01:31
to 25 Hertz all DSP controls 1,500 watts
01:35
of amplification per speaker beautiful
01:37
and now Evan are you gonna be talking
01:39
about Louis Chiodo about getting modes
01:41
in Australia you know we are just
01:45
distributing them for ki which is you
01:51
know German and Dutch I’m pretty sure
01:54
they probably have Australian hi-5
01:56
distribution you know I’m not sure mate
02:00
I don’t know if they’ve talked to Louis
02:02
or not I don’t know if anybody has a
02:04
relationship over there but it’s wit you
02:06
know we’re just we’re just tending to
02:08
them in the u.s. uh-huh I thought you
02:11
were manufacturing sorry I’ve
02:12
misunderstood
02:13
no sir just distributing them in the US
02:17
for the pro market because you do not
02:20
even but we don’t know I’m gonna tell
02:21
you now but might the first proper
02:24
preamp that I ever got the first
02:26
high-end preamp was an M 101 on the
02:29
recommendation of Luis that’s great
02:32
Luis is a see ya he’s even better now
02:35
yeah yeah so Jorge what’s happening is
02:40
why is he better what happened to him
02:42
I don’t prove he’s probably going up now
02:45
because I’m just giving him giving him a
02:47
big plug so what’s happening at NAMM
02:53
Jorge well we are trying with a group of
02:57
three ragtag a ragtag band of three
03:00
we’re trying to cover the show three
03:02
people is not necessarily more efficient
03:04
than two I found out but we’re doing our
03:06
best and we’re we’ve covered a few
03:10
vendors today it’s been cool there’s
03:12
three guys in one phone three guys one
03:15
phone one lady it’s actually one lady
03:18
two guys and one phone we have a lady
03:22
that could be misconstrued very quickly
03:25
hello to our friends at pornhub and your
03:30
big pink bag yeah we’re adding some
03:33
color some flavours some female fun to
03:36
our ragtag group but it’s we’re trying
03:38
to find new stuff it’s it’s a needle in
03:40
the haystack sometimes it’s such a
03:42
gigantic place but the only way to do it
03:45
is to wander the halls and see what
03:47
comes up because you discover things
03:50
that way grace design Evan what do you
03:54
guys what’s your focus for the show
03:55
today is it the whole prayin or one
03:58
thing in particular
03:58
I mean well our you know our big our big
04:01
you know sort of long slow moving
04:04
product release right now is a high
04:08
channel count monitor controller for
04:10
surrounds
04:12
work surround post-production film
04:15
post-production you know for people who
04:18
are having to retool to do Atmos so it’s
04:20
an app most at most friendly monitor
04:24
controller at most yeah yeah that’s up
04:26
to twenty two point two or something
04:28
like what arts will do yeah yeah yeah
04:31
yeah so ours that’s 22.2 there was a big
04:34
demand for this I hear there is there is
04:38
because all the big streaming net you
04:41
know services are now adapting you know
04:45
Atmos really so Wow so there’s gonna be
04:50
just loads of content you know having to
04:54
have at most stream every Quinn very
04:57
quickly being adapted quite rapidly yeah
05:00
so so having a hardware piece of
05:03
hardware that that makes that workflow
05:06
possible is sort of in one box is gonna
05:08
be really useful for us the other things
05:10
featured here are there definitely
05:11
preamps the one the M 108 is probably
05:14
the thing that blows my dress up the
05:16
highest because it’s the most you know
05:19
stuff you can pack into a single rack
05:21
space I think you can about yeah yeah
05:24
and you you know you voice guys you love
05:27
those black Grace design preamps there’s
05:30
eight of them now in one big black box
05:32
oh you’re running a voiceover studio and
05:35
you’re tracking a bunch of animation
05:37
boys yeah for an ensemble this thing is
05:40
the bomb yeah it really is quite
05:42
impressed with piece of cake if you’re
05:44
hearing some funny noises coming down
05:45
the line that’s Andrew drooling on his
05:47
microphone exactly
05:51
I hope using a dynamic mic that can
05:53
handle more you know it’s an underwater
05:56
mic that’s Evan what’s your GC is your
06:00
main competition in the preamp area
06:04
well I mean you know for years and years
06:08
like we’ve sort of got neck and neck
06:11
with millennium meat millennium media
06:14
who you know they’re friends of ours
06:17
John the crews an awesome designer and a
06:19
great guy and you know but when it comes
06:23
to sort of you know going head to head
06:25
in this sort of high-end a channel mic
06:29
preamp world you know especially for
06:31
people doing you know more sort of
06:33
classical music concert music stuff like
06:36
that you know it’s always kind of in
06:38
millenia or grace and you know we’ve
06:40
millenia they sell a lot of mic preamps
06:45
we saw a lot of mic preamps too but they
06:47
they definitely have sort of cornered
06:48
that market for a long time so I think I
06:55
would say that they’re a competitor but
06:57
it’s also such a small industry that you
07:02
know we don’t we don’t necessarily worry
07:04
about trying to like beat out
07:04
competitors and just more worried about
07:07
staying relevant with what we do and
07:10
just you know making sure that you know
07:12
we’re we’re discovering interesting
07:14
niches for us and you know because we
07:18
make we make you know quote-unquote
07:20
transparent mic breeze and that’s about
07:24
you know 5% of mic pre business most
07:28
people want to buy a mic Bri that makes
07:30
them sound better or makes a thing sound
07:33
warmer or fatter or whatever so the
07:37
transparent sort of end of the pool is
07:40
much smaller so we’ve always we’ve
07:43
always had to branch out into other
07:44
things monitoring instrument preamps for
07:48
perform and stuff like that so yeah I
07:50
would say yeah millennium media has been
07:52
a competitor I guess yeah yeah I was
07:55
gonna say millennia but because you both
07:58
work in that really super clean preamp
08:00
area it was only because when I first
08:04
spoke to Lewis the thing that he set me
08:06
up with because I said to him I wanted
08:08
something that was so transparent so
08:10
flat that you know is unaffected by
08:12
anything not colored by anything and he
08:14
said okay we’ll buy a micro tech to fill
08:17
in
08:17
thirty and grace design m101 and then
08:22
years later I saw that come up on a for
08:24
I’m s one of the the top combinations of
08:27
Mike and Priya get that’s awesome
08:31
yeah so did you say you had some new new
08:35
product for them yeah I mean that really
08:38
that the new product that we’re pushing
08:40
right now is is a is a large surround
08:44
sound monitor controller it’s hardcore
08:48
I mean it’s the kind of thing that it’s
08:50
for if you’ve got a big mixing stage or
08:53
maybe even a mixed post makes type place
08:55
or film explains yeah for doing
08:56
post-production for film it for Atmos
08:59
yeah yeah yeah yeah up to twenty two
09:01
point two channels yeah Wow twenty four
09:04
channel monitor mixer yeah so that’s
09:08
really what we’re pushing right now yeah
09:09
wow that’s and honestly my monitoring
09:13
for us is the biggest part of our
09:14
business so playback so our stereo
09:17
monitor controller and now the surround
09:19
sound monitor controller and you guys
09:21
dipped your toe a little bit into sort
09:24
of the affordable audiophile market
09:27
didn’t you with like the that little
09:30
headphone amp yeah yeah absolutely
09:32
that’s called the EM 900 BM 900 yeah
09:35
yeah sort of baby brother of it
09:37
no that’s the baby well that is the big
09:39
name here is the baby brother we used to
09:41
have a slightly bigger ones but those
09:43
are all out of production because that
09:44
yeah this took over that kind of
09:46
business one away got you yeah sort of
09:49
mid mid thigh hi-fi computer playback
09:52
you know Dax and headphone amps yeah all
09:56
that business just went down markets so
09:58
far that it’s all just one hundred two
10:01
hundred dollars into the base that’s
10:03
right yeah yeah it’s not our not our not
10:07
our core competency hey you guys I’m
10:10
gonna have to tap out for one second I
10:11
have I have a client yeah Evan is
10:14
actually here to try to get money as
10:17
yeah we’re gonna let him go by the
10:20
client well I’m gonna hang out with you
10:22
for a minute
10:34
sitting next to me on my left is my
10:37
partner in crime you might know his
10:39
voice
10:40
hi mr. dan Leonard its Dan again hey
10:43
gummy Dan it is it is doing fine doing
10:47
fine how’s things down under well
10:49
actually we’re just saying about that
10:50
it’s very warm it’s very warm here and
10:52
none yeah if you’re anyone’s been
10:55
watching the Australian Open on
10:56
television then you will know how hot it
10:58
is yes well it’s the middle of January
10:59
that’s nice year so so what have you
11:02
seen Dan that’s impressed you at NAMM ah
11:04
so far it’s all pretty much the same
11:06
stuff you know yeah it’s like you know
11:12
there’s there’s a couple of new
11:13
microphones that came out I was just
11:15
talking to the guys at Vanguard they
11:16
have a mic that just came out and and
11:20
you know most of the acoustical stuff
11:22
because I’m the guy that when I really
11:24
talk to people I explained to them for
11:26
your voiceover studio it’s all about
11:28
your acoustics we saw yeah we’ve seen
11:30
microphones always we see microphones we
11:33
got a good look at gik acoustics
11:36
acoustic treatment which Dan and I
11:38
always like to focus on acoustic stuff
11:40
yeah right because here is sexy mics are
11:43
sexy but love people don’t know the
11:45
acoustics studio bricks these guys make
11:49
these incredible ISO booths in Barcelona
11:52
not only did I see them here today but I
11:55
got to assemble one with them at joe
11:57
cipriano his house yesterday yeah which
12:00
was a unique experience actually having
12:02
the owner of the company alongside you
12:05
basically running the show in essence
12:08
you know yeah yeah I got to build one at
12:11
Warwick on which was you don’t want to
12:13
over come this year yeah yeah so studio
12:15
bricks has been great and then we saw
12:16
our friends Mike Goodman Michael Goodman
12:19
at mixer the creator of mixer face
12:22
that’s entrants yeah sentence they have
12:25
a new mono channel version of that
12:29
little mixer face mic preamp mixer so
12:32
it’s not really a mixer no it’s really
12:34
them like for pro – yeah it’s a expanded
12:38
mic for it for once it’s just a really
12:40
high-quality mono mic preamp with built
12:42
in battery that can run on an iPhone or
12:44
an Android or right
12:45
Windows or Mac
12:46
yeah for all you traveling people that
12:48
have to record while traveling for
12:50
suckers exactly I pity the fools so that
12:54
pretty much wraps up what we’ve seen
12:55
today we have a whole day tomorrow of
12:58
coverage to do so we do hope to discover
13:00
some cool stuff well that sounds like a
13:02
wrap from them I’m guessing so George
13:05
thanks for your time thank you Dan and
13:07
please thank you and from grace design
13:09
nice to talk to you that’s George and
13:12
Dan from the NAMM show in Anaheim
13:13
California signing off
13:16
that was the pro audio suite if you have
13:19
any questions or ideas for a show let us
13:22
know via our Facebook the pro audio
13:24
suite podcast
13:29
you

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