Last week AP unboxed the new Mi Creatore set from Austrian Audio, this week we are putting it through it’s paces. While its name implies that it might not be up to the rigours of professional voice over work, our tests might convince you otherwise…

A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn’t partner with them unless they were), so please, if you’re in the market for some new kit, do us a solid and check out their products, and be sure to tell em “Robbo, George, Robert, and AP sent you”… As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth…

https://tribooth.com/

And if you’re in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They’ve got a great range of top-shelf gear..

https://austrian.audio/

Hunter S Thompson

  
Summary
In this episode of Pro Audio Suite, we explore the audio capabilities of the Tributh vocal booth and Austrian audio equipment. On offer is a $200 discount code for listeners, invigorating discussions on the mastery of mic technique, a review of the sound quality of an Austrian Audio microphone, and the fantastic audio benefits of using a cardioid and hypercardioid pickup. Our panel pointed out the similar sound quality Austrian audio provides across varying price points, the possibilities of using the equipment in a stereo pair setting, and the pros of using a heavy-weighted stand. The episode concluded with an appreciation for the Pro Audio mic’s simplicity, without any DSP, and its excellent headphone amplifier. This might just be an addition to your audio equipment wish list!

#ProAudioInsights #MicTechniques #AustrianAudioReview
  
Timestamps
(00:00:00) Introduction to Tributh & Austrian Audio
(00:01:01) Sample of Austrian Microphone
(00:02:30) Cardioid Vs. Hypercardioid
(00:04:46) User Feedback Request
(00:08:31) Integrating Multiple USB Mics
(00:11:53) Pro Audio Weight Material & Origin
  
Transcript
Speaker A: Y’all ready?,Speaker B: Be history.,Speaker C: Get started.,Speaker B: Welcome.,Speaker C: Hi. Hi. Hello, everyone, to the Pro Audio Suite.,Speaker A: These guys are professional, they’re motivated.,Speaker B: Thanks to Tributh, the best vocal booth for home or on the road. Voice recording and Austrian audio making passion heard. Introducing Robert Marshall from source elements and someone audio post Chicago. Darren robert Robertson from Voodoo Radio Imaging. Sydney to the Vo stars. George the tech Wittam from La.,: And me.,Speaker B: Andrew Peters, voiceover talent and home, studio Guy.,Speaker C: Learn up, learner. Here we go.,: And don’t forget the code trip a P 200. That will get you $200 off your purchase of the fabulous Triboof and Austrian Audio Making Passion Heard. And George.,Speaker A: GeorgeThe, tech TPAs for your discount codes and on over. If you need help.,: We all need help. I desperately need it, I’m told.,: Now, talking of Austrian audio, though, we did an unboxing on camera. That was last week. But anyway, this week we’re giving you a sample of what it sounds like. And I keep popping. That’s really naughty. This is the my creator. This is what the microphone sounds like. Any thoughts, chaps?,Speaker A: So this is just absolute, because right now mine’s a bit hyped. I’m going through my 8118 and I’m definitely hyping it up quite a bit more than probably is necessary. So I’m going to flatten mine because I want to have a really good comparison. Okay. This is the eight one eight with no processing. Totally flat.,: Okay.,Speaker A: And let me hear you again.,: I’m on an unprocessed OC 16 then for a comparison, too.,: There you go.,Speaker A: Got it?,: Oh, yeah. And I’ve got a feeling I know it’s like it’s a bit of a weird test because different voices, but my feeling is listening in the headphones to both of you two. This one is closer to the OC 16 than the eight one eight.,: That was my first thought, the first time I heard you on it. Was it’s very close to the 16?,: Yeah.,Speaker A: I’m looking to see what pattern I’m into because you guys would be on cardioid. I may not be. So I’m going to check mine.,: When you guys keep talking this one, because I’m pretty sure see, I keep popping.,: There’s no professional on the other end of the microphone. That’s the problem.,: Yeah, that’s right.,: There’s also no pop shield.,: If you’ve got shit mic technique, get a pop guard.,Speaker A: All right, well, now I’m on cardioid, which sounds a bit more natural. I was on a hyper before.,: It does, but it’s not as hyped. It’s not quite as 4160 sound.,Speaker A: Well, here’s the thing. Like on the A one eight, when you’re in cardioid, it’s a true single capsule cardioid pickup. So you’re actually only using the front capsule. So this would be more similar to you guys, because now I’m actually using a single capsule. When I go to hyper, the rear capsule comes into play and that’s being mixed in out of phase to create that hypercardioid. So it definitely changes the way you sound on the mic.,: Did you flick it across it in.,: While I was talking, didn’t you?,: Yes, it’s the opposite to what you were telling. What I was hearing was the opposite to what you said, Robbo, because I think in hypercardioid there’s more top end.,Speaker A: In static, it might be a more scooped sound, like more bass and more treble.,: Yeah, maybe that’s.,: Yeah, could be.,: Maybe that’s.,Speaker A: And this is more mid forward. Yeah, this sounds more mid forward to me.,: Yeah.,: But to me it’s not as sort of hyped as this 16 or the creator that AP is on.,Speaker A: And we’re hearing your mic, Robo, flat or are you still going through a change?,: No. I’m sending to you guys on source. Connect unprocessed. So I do have some processing in Pro Tools, but you guys aren’t hearing that?,Speaker A: Yeah, for sure. It definitely sounds more hype.,: Let me turn it off. Hang on, maybe you are. Let me turn it off.,Speaker A: Hang on.,: Does that make a difference? Hello.,: Oh, yeah.,Speaker A: You sounded a bit like I was pretty hyped sounding earlier. When I turn this on, you get that extra sizzly top end. Yeah, I’ll turn that off. And now I’m flat.,: Okay, so now we’re all flat. Some kind of a noise gate going on there because all of a sudden I can hear.,: I did have a gate on.,Speaker A: Oh, yeah, me, too.,: Yes, I should have a gate on.,Speaker A: This will be an interesting post mix. You have to decide, Robbo, now, whether you process it in post or leave it. Totally.,: Well, that’s the thing. I think I might just have to leave it.,Speaker A: Perhaps disclaimer this episode is raw.,: Is raw. Absolutely.,Speaker A: Just some limiting for the master.,: We’re going bareback, but don’t Google that.,: Isn’t it interesting, though, that and we talked about this in the preview when AP was unboxing. It that Austrian audio have taken the time to make sure that all their products have a pretty similar sort of sound, regardless of price point, even, really, isn’t it?,: Yeah.,Speaker A: The voicing of the capsules.,: Yeah.,: I mean, when you can say that an eight one eight, which is what, $1,500 or something, would that be right?,: I don’t know. US?,Speaker A: About 1200.,: Yeah. So one $200 US. And you can say that it’s reasonably close to the My creator, which is whatever we said that was 100 and something. Yeah, it’s crazy, isn’t it?,: I’d be curious how this would sound. As I mentioned, when we’re doing the unboxing in not a perfect environment. I mean, I’ve got to say that I’m sitting right next to a laptop computer screens. There’s nothing in here that’s diffusing any sound whatsoever except my buff head. But apart from that, there’s nothing else. So it’s not ideal, but I’m kind of thinking of more of a tight sort of environment where you’re trying to obviously control some kind of ambient noise in a room that’s pretty lively if you’re traveling. How this would take to that, that’s what I’d be interested in. And the other thing is how it takes to EQ as well. Could be an interesting one.,: So the other thing, though, is that, I mean, this is effectively also a stereo pair, right?,: Yeah.,: Because it comes with the stereo pair.,: Yeah.,: So it’d be interesting to hear it with that open.,: Well, imagine if you were doing here’s an example. If you were a voice that did animation.,: Yeah.,: You could space these two mics out by maybe 18 inches or something, and then you’ve got one capturing the loud source and one if you could actually split them because they can be stereo. So I guess you do, you just monitor left for the one and right track for the other one. And then if you did start overloading the mic that’s closest to you, you’ve got the backup behind you.,: Yeah.,Speaker A: There’s a lot of clever ways to use it when there’s two separate mic capsules versus a mic that has a stereo mode. Like the ever popular The Yeti from Blue has that multi pattern switch where you can go from omni to cardioid to stereo to figure eight.,: Right.,Speaker A: Well, the mic like this, you have way more flexibility. You can make an XY pair, you can make a Blum line, I think, whatever it’s called. You can adjust how you want to use those two mics. Like, you could literally put up a stereo XY pair in front of a string quartet or something and record that.,: But you could even fake it with if you had the two like, instead of doing XY, you just reverse one, stick it basically so the capsule is almost touching each other right. And get some kind of weird omni going. I don’t know how that would work.,Speaker A: Yeah, that should work. It’s two hemispherical patterns connected in the center. You might have some phasing issues at the center, but yeah, it’s more flexible to have two separate microphones to manipulate and do. You can just do so much more.,: Yeah.,: I’m just curious how this microphone actually does sound to the people listening. I mean, if you’re listening to it and you like it, just leave a comment down below the notes and stuff. But what I’m hearing is very pleasing, actually. And I’m quite surprised because I did think being a USB mic, that there was going to be inherent issues. The price point, I thought, was going to be an issue for it as well. But I can’t really hear anything now.,Speaker A: Roblo, now, I’m not trying to make more work for you, but I’m going to propose something, is that we leave part of the show unprocessed and then you process the remainder of the show the way you normally would. So we can hear what it sounds like raw, and we can hear what we all sound like through your production.,: Through the magic of podcasting. Let’s move to the processed show now.,Speaker A: Exactly.,: The point I was going to make was that as a podcaster, if you were a podcaster and you were on, I don’t know, let’s just pick out a yeti, or you had a chaonica eyeball or something that you were sort of using and you wanted to up your game audio wise.,: I mean, step one, tick hello for.,: 100 and whatever bucks we were just talking about, you’ve got a new mic.,: That’S automatically going to do that.,: Yeah.,: And it’s got an interface built in, so you’re set that’s it exactly.,Speaker A: I like that. Oftentimes we’ll kind of shy away from a USB mic for anybody that’s producing content, because it’s just a mic. So if you want to add a second person or you want to interview somebody else on site, in physical person, it’s not as easy to integrate multiple USB mics, but here you just have that second mic and you’ve got a two mic system and away you go. It’s a clever way, it’s sort of an analog, old school way of doing it, but the simplicity of it, I think, is the key here.,: Well, the other thing, too, thinking about.,: That without thinking too deeply, but hearing.,: You say that, and it occurs to me that even if you had more than two people, with some clever placement of those two mics, you could almost.,: Mic up maybe three or four people.,Speaker A: Well, yeah, you could have two and two.,: Yeah, that’s right, exactly.,: If you had three, you could have the host on his own and then with some clever mic placement, you could place the other one so that you.,: Were picking up two.,: Yeah.,Speaker A: It all comes down to the room. The room has to be good.,: Yeah, absolutely.,: If you were in a concert hall or something, you probably wouldn’t want to yeah.,: But you can also get lav mics. I think they’re doing a lav mic as well. That goes with know, that kind of podcasting and all that kind of it’s. It’s really clever. Here’s a thing, I always watch Bandru do this.,Speaker A: Podcastage. Is it podcast age or podcastage?,: Podcastage. It sounds like sort of being tied up and pod hostage, kind of, yeah. I’m being held hostage, so I’m going to tap on the desk. He always does that. So tapping on the desk and this is not ideal, as I said.,Speaker A: No, I mean, I can hear that you’re tapping on the desk, but there’s absolutely no thumping or rumbling or anything.,: No, it’s not actually in the mic stand.,: Oh, now you can hear it now on the stand.,Speaker A: I’m getting it.,: Yeah.,Speaker A: And what stand are you using? Are you using that?,: The gravity?,: Yeah.,Speaker A: So that thing actually is helping a lot to isolate the mic from your desk.,: Yeah.,Speaker A: See, what helps a lot is mass, right. Weight.,: Yes.,Speaker A: So if you have that mic on a very lightweight stand, like a little folding tripod, it probably wouldn’t do as well. But putting on a very heavy weighted stand on rubber like that, that’s a pretty good package.,: Yeah, yeah, I think it works.,: A I will. I’ll stick the link to that mic.,: Stand you’re talking about in the show notes.,: The gravity. Yeah, it’s a German design. I don’t know where it’s made. Probably China, but it’s certainly designed and engineered.,: It’s made out of heavy steel.,Speaker A: Chances are it’s coming out of China.,: Yeah.,: Where’s the steel from? Oh, I’d say probably a hole in the ground in Australia. But anyway, that’s another story.,Speaker A: Another story.,: Yeah. But the conclusion for me of this mic is just bloody good. It sounds fantastic.,: I have no issues with it.,: I like it.,: Absolutely.,: Yeah.,Speaker A: No issues at all. It sounds like you it sounds like you unmested with.,: Yeah.,Speaker A: Because we’ve all heard the USB mics. We’ve tried a lot of things, and some of the other companies are trying to be really clever with lots of onboard processing DSP, and sometimes those settings are on by default. You don’t even know it. So now you’re already mucking up the audio without even realizing it. And these guys are going on a more purest way, just like we’re not going to muck with it. There’s no DSP. It’s just this is the way our mic sounds. This is the way it sounds. And that is a very familiar sound, which is a very good thing. That’s what we want to hear.,: Yeah, great.,: And also, if anyone’s interested, the headphone amplifier is extremely good, so that’s a plus.,: Yeah, very nice.,Speaker A: So we figured out the knob is a multifunction knob that controls your headphone level and the monitor blend or mix or balance, as they call it.,: Okay.,: So the mix between you and me. Okay, very good.,: Well, there you go.,: Austrian audience, well done.,: Something else to add to the shopping list.,Speaker A: Christmas needing to just add it to their shipping list and send one to.,: The rest of us.,: Well, that was fun.,Speaker C: Is it over?,Speaker B: The Pro Audio suite with thanks to Triboof and Austrian audio recorded using Source Connect edited by Andrew Peters and mixed by Voodoo Radio Imaging with tech support from George the Tech Wittam don’t forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic or just say G’day. Drop us a note at our website. The Pro Audio weight.
    

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